
Gene Coleman/ Franz Hautzinger/ Sachiko_M/ Otomo Yoshihide - Concert in
St. Louis (10.2004)
In the last four or five years there has been a clear set trend towards
stillness in improvised music. The classical parameters – the forming
of energy states, the spontaneous, dense communication – are not
relevant to this music, but rather the empty spaces, the disparate, non-dynamic,
the recessed. Stillness.
This trend is not without its detractors, and from various positions (musicians,
theoreticians) it is feared that too much of the former tilled field is
being forfeited. There is polemic: improvised music tends to attach itself
to trends in new music, after they have long become passé. Like
the trend of the non-gestural stillness.
Gene Coleman, bass clarinetist, long-standing protagonist of Chicago’s
most varying experimental and avant-garde scene (he can be heard, among
others, on the albums of Gastr Del Sol), a festival organizer and curator
on the go, lives mostly from his compositions. He does not have to hang
onto any trend, he does not feel any need to innovate and does not see
himself exposed to any scene pressure. Gene Coleman plays and acts autonomously.
For a tour in the Autumn of 2002 he put together a quartet out of musicians
with whom he has worked together before. Franz Hautzinger (quarter-tone
trumpet), Sachiko
M (sinus generator, contact microphones), Otomo Yoshihide
(guitar, turntables) are all world renowned musicians and improvisers
who have mastered the use of musical stillness.
So these are the best prerequisites not to reproduce the “cliché
of stillness,” but rather to initiate a restful as well as very
open and highly flexible improvising process. Stillness is not assumed
here, is not a result and an purpose worth aspiring for, but rather it
is a means to form. The strong rustling improvisation does not deplete
itself, but rather brings forth new constellation of their playing together
(also next to each other)
It is slow, peaceful, very relaxed flowing music. But whoever listens
closely will hear the tension and the exertion, the wrestling to create
expression.
Next year GROB will release a CD that will present some of his current
compositions.
Gene Coleman
Franz Hautzinger
(also on
GROB211,
GROB313/4,
GROB425,
GROB435,
GROB544)
Sachiko M
(also on
GROB432,
GROB435)
Otomo Yoshihide
(also on
GROB432)
back to GROB catalog
GROB657 arbeit - MARX